Fic: Violence and Violins

The stars are cold overhead, and he can taste their distance, because it is measured in time.

She plays a dirge for the moon, and he records it to later make a battle hymn. As she plays, the strains of violin ghost through the city, and the Dersites look up. Identical smug tics drag up the corners of their mouths before their faces smooth to default. The crypts won’t be well-guarded for long.

The light of the constellations fluctuates with her tempo, their infinitesimal flickers declaring ‘soon’ for a value of soon whose picoseconds are engraved on his bones.

He jumps easily from the signal tower to the main portion of the roof. It’s only twenty feet. It won’t do any good if they’re allowed to interrupt her. There’s only one door that opens onto the roof, and only one fire escape that leads this far up. They are spaced such that he can keep an eye on both, and he does. He needn’t do more than that, not yet, so he stands with his hands in his back pockets and his shades firmly in place.

There will be no flashstepping tonight. He is here to defend and protect, and it’s not the drop to the street that he’s protecting. The first Dersite bursts through the door like the door did her a personal injury, then slows as she sees Rose up on the signal tower. She walks forward entranced, weapon in hand. She walks forward almost into Dave’s arms, but encounters Caledscratch instead.

They come in waves, lured by a melody they can’t escape. They fall like drunk surfers, unwilling or unable to pay attention to the steel and stars cutting them off from their goal.

He is sweaty and covered in blood not his own, and her melody has changed, no longer hitting high notes. The waves have slowed. They will not be ambushed on their way to their goal.

She floats down to join him, and blood leaks down her face where a string has snapped and recoiled.

He takes her hand and they take their tumor to the crypts.

Meta: Punk

This was for Adam‘s contest, and the prompt was ‘steampunk mecha.’

What I took to heart was an overarching tone of ‘rollicking.’ I wanted this to be fun, because the prompt was over-the-top, and I didn’t want to take it way to seriously and have to do research. I didn’t want to go for an over-the-top parody, either, and I think I kind of skirted the line with it. This piece is about a year old.

The main characters are based entirely on myself and Tristan Tinder, but with easy renaming conventions like one of many ways to mis-parse my name and a shortened version of Tristan’s opposite in Tristan and Isolde. I am never terribly opaque in how I rename friends into characters.

There’s a lot of info-dumping in the first part, because I wasn’t sure how to expose the world in fewer than several thousand words. But I got to refer to people being zombies as “an unusual and cannibalistic form of pica,” and that really amused me. As did having Montreal overrun by zombies. I kept thinking about all the bitching that would happen because New Orleans gets sexy vampires, and Montreal is stuck with zombies. Horrible stupid Americans hogging all the nice things, etc.

Also I had been briefly torn between zombies and Bonhomme as the Stay-Puft Marshmallow Man, but zombies obviously won. Zombies also won because I wanted to make the threat obvious without a ton of explanation, and thought Bonhomme might be too regional. That’s why the devastation was mentioned in Montreal instead of Quebec City, as well. Montreal is a bigger city, so more people know where it is and it can also be inferred that more people were there to be eaten by zombies. That also let me imply that everything along the St Lawrence had fallen to zombies.

The story is set in a sort of steampunk Victoria because, well, that’s where I was living and that was the prompt, but also because islands have it easy in terms of escaping zombie epidemics and Esquimalt is already a naval base. I also associate this area of the world irrevocably with steampunk, because the first instance of steampunk dress that I encountered in real life was the Steampunk Expo held at the Empress, after which I went on a brief tour of the Olympic Peninsula with Tristan, while reading the first actual steampunk novel I’d ever picked up, which was set in Seattle. I’d encountered steampunk before, of course, in the form of the comic Girl Genius and numerous aesthetic references, but hadn’t had much personal contact with it.

Now, of course, I am convinced that everyone setting steampunk things in London or other major cities in Europe is Doing It Wrong. Ada Lovelace, for example, lived in Surrey. Explosions and rogue mechanical devices entertain me a great deal more when I picture them ravaging the peaceful English countryside than when I picture them as London’s menace-of-the-week (next week: aliens). But the North American West lends itself to steampunk really well in that around the time it is usually set, the West was just starting to be settled. Steampunk technology would make more sense as part of inherent infrastructure in the West.

Obviously, these are just my ramblings, and I’ve read really well-done steampunk set elsewhere. My favourites, though, are the ones where the runaway technology are a part of daily life, which is usually an invented place.

“When you can’t, add some guns,” is one of my favourite lines that I have ever written, and encompasses many of my feelings about writing in general. Something not working? Make it worse. Hero half-dead? Whoops, spontaneous regeneration and also an afterlife. Four separate mythical canons involved? Add another. Many of my favourite things to write end with me cackling off into an obscenely complicated sunset.

The engineering things mentioned are in no way based on science. They are based on mental images of dark workrooms and too many gears and arc-welding torches.

The pacing at the end was really off: everything happens too fast, as opposed to the beginning where it’s just information and talking. I wanted some acceleration in plot, but didn’t manage to execute it the way it was in my head. It could all use a good overhaul, possibly with a bulldozer. But it was ridiculously fun to write.

Fic: Punk

“Will you marry me?”
 
Ellen jumped out of bed, pulling the sheet with her, and tore out of her room. “Izzy! What the hell did you do to my robot?”

Izzy blinked up at her from the breakfast table and her book. “I installed an etiquette drive. Why? Is it malfunctioning?”

“It asked me to marry it. Obvious malfunction!” Ellen plopped down on the other chair and snagged half of Izzy’s bagel. 

Frowning, Izzy put down her book and dragged some of her notes from the huge pile on the counter. “That’s not right.”

“Gee, really?” Ellen’s eyebrows hiked towards her hairline. “It’s supposed to pick up after us. What on earth does it even need an etiquette drive for?”

“I wanted it to be able to answer the door and stuff, so it needed to be able to handle social situations. An etiquette drive seemed easier than an adaptable AI.” Izzy shrugged, comfortable in her long and over-involved processes for avoiding simple social interaction.

Ellen rolled her eyes good-naturedly. “D’you have the paper?”

Izzy gestured vaguely towards the living area, piled as always with assorted notes and papers and books and some of their cleaner half-completed projects. “It brought it in before it went to wake you up.”

Ellen picked her way over the piles to the pile of papers topped by the most recent newspaper, snagged it, and sat in the carved dark armchair that was one of the only points of the room reliably left uncovered by papers. “More rioting on the mainland. Lamp oil prices have risen again. Makes that godawful internship at Public Lighting seem almost worth it, doesn’t it?”

Izzy snorted. “For you, maybe. You get to run around in a harness outside. I spend most of my time watching pressure gauges. You know I’d have preferred the desalination plant – the micro-scrubbers that keep mineral buildup down are far more computationally complex than the stupid gauges at Lighting.” She scribbled marginalia on a page of calculations, double checking them. It went unmentioned that they’d both applied for Public Lighting because it was one of the few university-sponsored internship locations where they could work together.

Ellen quietly read the paper and Izzy checked her calculations until the clock ticked over the hour, sending a coyote chasing a bird around the platform nine times. “Oh, bugger.” Ellen sighed. They put down their papers and started the ritual necessary for travel between the university sector and Old Town. Both donned hats and polarized goggles. Izzy added a trench coat with deep and diverse pockets and an absurdly high collar. Ellen added a scaled metal bolero that shone dully brass; her corset was reinforced leather, and much more resilient than Izzy’s brocade vest, so she didn’t need the fuller coverage. Then they both loaded on their generator packs, stunners, and gas masks. Ellen adjusted the straps for the heavy pack and complained, “We’re all of half an hour from a Navy base. You’d think they could get the rebels under control faster.”

Izzy just shrugged; she’d moved from Montreal, which degenerated to a paranoid enclave around le Vieux-Port after one of the many parasites their water board didn’t manage to filter out of the St Lawrence gave several citizens an unusual and cannibalistic form of pica. The bites turned out to carry the contagion, and bitten scalps quickly turned septic before their owners were overwhelmed by the strange craving. When Izzy came to Victoria (by passing herself as a boy for safety and getting passage as a rigger on an airship), she’d been quarantined a full month before it was determined that she did indeed not carry the parasite. The rebels who did nothing but beat you to death for your access card to the city were a slim danger compared to out East.

Outside, the clear pipes that ran along every street carrying the false phosphorescence created by Public Lighting glowed eerie through the morning fog. It lit the way perfectly adequately despite the fog until they reached the gate. The Mounties nodded politely, and the younger of the pair opened the gate for them. “Nada spotted close this morning, but be vigilant.”

Ellen smiled at him automatically before peering out the gate. “Yes, thanks.”

High above the path twin light pipes ran from Old Town – well, one to, one from, for flow. With the fog, they didn’t cast more than an eerie sort of glow; a miserable way to start a morning. They made it the kilometer to Old Town unmolested and showed their access cards at the spyholes on the Old Town gate. They were allowed in by the bored Mounties on this end of gate duty. A short walk to the main drag later and they hopped on a trolley up to the end of town with Public Lighting. Classes were only during the week, but Public Lighting was open seven days, as it had to be, and their internship ran the weekend. It cut into their partying time considerably. 

In the imposing block of steel and concrete – the 1950s aesthetic completely at odds with the 1830s aesthetic of most of Old Town but at enough of a remove so as to be inoffensive – they shucked their packs and outerwear, then went to check in with their respective supervisors. Instead they were stopped at the desk by their supervisors’ boss and two men in somber black uniforms. Ellen and Izzy glanced at each other. Ellen was perkily casual as she said, “Hey, Ms Williams. What’s up?”

“You and Tinder are reassigned for your internships, if you agree to it.”

“What would be the new position, ma’am?” Ellen made an act of will to keep her eyebrows from crawling to her hairline. Ellen worked on, studied, and specialized in great big hulking things, mostly for manual labor. Izzy did delicate computer systems. Considering mass robotic production had been halted after the unfortunate mad mechanical army incident a couple decades ago, there weren’t that many opportunities for them to work together. 

One of the somber-suited men stepped forward. “Classified, Miss Young. I can summarize that you would be aiding in the design of mobile heavy armor suits for the Navy.”

The two girls didn’t even have to look at each other. “We’ll do it,” they chorused. 

Ellen asked, “That won’t effect our credit hours, will it, Ms. Williams?”

The Navy man answered for her. “Your credit hours will remain intact, Miss Young.”

“Let’s do this, then. When do we start?”

“Now, if you’d be willing to come with us.”

Ellen couldn’t keep her face from falling. “Of course. Let us just go get our packs back on.”

The hitherto silent Navy man chuckled. “You’re traveling with Navy escort, Miss. You won’t need one.”

Izzy grinned. “Fantastic.”

There was a trolley at the Navy gate, an open-aired thing for the sailors accompanying them to aim twin railguns out – one on either side. In relative comfort they came to the walled base, where there was a much more rigorous identification-checking process. Then they were in, and everything was smooth concrete and discipline. They were escorted to one of five hangars all in a neat row. The hangar housed a machine shop, a messy sort of office space in a loft, and a professor who’d been on leave the last two months. The professor nodded at them, pleased. “Good to see you two. Now, just go sign their silly confidentiality papers and we can get started.”

The girls were puzzled but game. Their unspoken code was to act unsurprised and figure out what the hell was going on as you went. Plus, with the brief overview they’d gotten, this seemed like fun. They went through a fairly heavy-handed briefing about the importance of secrecy, during which they gathered that their professor had recommended them, and then were turned loose in the hangar again. The professor called from the office loft, “Tinder! Up here. I need you making an interface. Young! Crawl in the suit of armor down there and see if you can move it. When you can’t, add some guns.”

Ellen grinned at Izzy, then proceeded to investigate the ‘suit of armor,’ as the professor had called it. It bore significantly less resemblance to an old suit of armor than to a tank, person-shaped. Absent-mindedly she grabbed an oil can and lubed the joints as she investigated how it moved. No wonder this was top secret; it would be able to literally stomp out rebels. Well, assuming it didn’t run out of coal. She frowned. “We should switch this to compressed air, Professor! Less waste, more independent system. We can rig it so it recompresses at an end-cycle, maybe.”

The professor shouted down, “How long would it last before needing recompression?”

Contemplating the problem, Ellen kicked the coal-burner on the back. “Depends how solid we can get the welding. Probably eighteen hours?”

“Do it, then.”

Several weeks, ideas, shouted discussions, and hours welding later, they had the suit bigger, powered by compressed air, and easy to move in. It was the newest, best way to control the rebels, since it would be able to navigate into ambush situations with negligible probability of injury. It was career-making. In the heat of the project, Ellen and Izzy had missed both classes and sleep. The professor had excused them from class. 

Ellen wiped her hands on a rag already greasy enough that it did little more than spread it around, noticed, threw it in a pile, and grabbed a clean rag from a different pile. “So, who gets to field test this baby?”

“Well, it is Navy property,” the professor hedged. Both girls looked faintly mutinous. “But the higher-ups think it’s not quite safe, and sailors are more expensive to replace than you, considering that it’s Navy money paying for their training. So we get to.”

“Sweet,” said Izzy. “I call first!”

“Shotgun,” Ellen retorted. One of the guns mounted on the arm joined up such that it was possible to perch behind it if the arm wasn’t moving too quickly. 

They mounted up, making sure the suit closed securely around Izzy and that her short frame could reach all the controls, and then the professor opened the hangar doors, releasing them into the world.

Meta: Karl Marx

This was written for a contest hosted by a friend of mine, one that focused on songs as prompts for stories and poetry. Here are the annotations I included with my original submission:

Annotations:
Songs referenced:
Rag and Bone by The White Stripes
45 by Shinedown (word count)
Believe by The Bravery
Other:
“Religion is the opiate of the masses.” ~ Karl Marx
Religions as represented by their flags (rainbow)

I include those here because that is the context the judge was given, and context is everything.

Rag and Bone was the original prompt, but I was inspired by the concept of the contest to include as many songs as I felt fit. All three songs have similar kinds of grasping desperation, and that’s what I wanted to embody.

It was the confluence of listening to Rag and Bone for the contest and Believe from my regular writing playlist that solidified the idea of begging and being on the fringes of society and coming across almost like a caricature of a junkie, but for ideology rather than anything physical.

There’s some deliberate ambiguity as to whether atheism is the ground state from which one gets high or whether it’s a sharp drop from normal.

Poem: Karl Marx

Hey c’mon and give me something
something to believe
something to breathe (for)
something to inhale
You don’t need all that ideology, do you?
Spare some philosophy for a poor man
You’ve got your opium rainbow
and I’m stone cold down here with the atheists

Meta: First Person

Perspective and the relationship between the narrator and the story itself fascinate me. Obviously unreliable narrators are one of my favourite things to play with.

That was one of my major motivators in this piece. I wanted a narrator who couldn’t trust their memory enough to portray things as dialog, and I wanted an ephemeral tone to the whole piece. That’s why fog and steam and coffee imagery persist: I wanted the fic to feel like the first inhale of a London Fog.

I had no particular gender in mind for the priest, and so am unsure if this is edgily transgressional or not. The priest was not an important character to either narrative, and so was not assigned a name or gender. Actually, no one got names, because it was not important to what I was trying to do.

Names are usually one of the last things I come up with, and very rarely have any meaning attached other than plausibility. Unless they are from a culture wherein they select their own names, names will have been selected based on what the parents thought was significant, and may or may not have anything to do with the character themselves. I read a lot of amateur fiction wherein the heroine is named something like RavenMoon Bloodless or whatever because they have long black hair and pale skin and oh they had somehow not noticed they are from an ancient line of vampires. My hyperbole is only slight. This personal context is why I shy away from naming characters at all in most short fiction.

I should also admit that this story is a bit over a year old, and I was experimenting with how well I could stay constrained to present tense. Now, of course, there is the Homestuck fandom, so switching between first, second, and third person and past and present tense is as natural as breathing.

I also wanted to work on wrapping things up, and denouement, as it was something that had been frustrating me in working on my novel at the time. I find short stories helpful as scale models of some problems, though the scope is often much more limited.

Fic: First Person

I love when stories are first-person; I’m not sure, always, whether they’re telling me fact or fiction, memory or dreamy possibility.


The man sitting across the table from me is telling a story in a low soft voice that smells of the artificial sweetener in his coffee. The brown steam-swirls in my own undoctored cup makes heady illustrations of his words. I can’t bring myself to look directly at him – it might make him stop talking, startle him out of this storytelling reverie. And I’m afraid that, once startled, he’ll remember that this memory is private, or lose the thread of the fiction if it is so. 


So I stare into my coffee as he tells me about his impassioned affair with a married priest whose husband had tried so hard to kill him when they were discovered. His hands illustrate his feelings, waving in and out of my field of vision, punctuating tension with broad palm strokes. His exact words get lost in the fog of emotion and cadence that drifts softly over me. 


I can’t bring myself to look for them too hard. 


The fog cannot hold it’s density; probably a combination of the sunshine and coffee, and I find myself once again firmly entwined in his thread. He is describing the ways the husband struck back at him; the confrontation in a dark alley outside a pub, the after-hours fire at his office that the police chief, a distant cousin, never got quite around to ruling arson, the voodoo. 


I can’t stop my eyebrows winging upwards; voodoo from the husband of a priest? An admonishing finger swings under my nose, chastising my doubt. 


I smile, wiping the consternation from my face, curiously disappointed to have fiction confirmed.


Rings flashing darkly silver in the sun, he shows me the shape of a curse, intricate and lethal. He gestures vaguely at his ribcage when talking about the freak accidents caused by the curse, the piano leg that had impaled him cartoonishly from height. And the small things, black cats and broken mirrors. He’d sought a blessing from his lover; holiness to counteract dark magic. He was refused, on the grounds of regret and suspected insanity; voodoo didn’t exist, so he would be fine, he was just trying to get close again. He’d had to find his own magician, and flee their island out of time. And so he’d found himself on another island, whimsy made stone and coffee shops, and engaged in conversation with a stranger.

Fic: Can I kiss you?

I don’t like that he looms over me from this distance. I am not a short woman, but he makes me feel positively petite. Sometimes I like that. Sometimes I want that. But as I’m trying to stare him down, drive home with a bespectacled glare that his opinions on Derrida are positively ludicrous, I want to feel tall.

We are both drunk.

“Can I kiss you?”

“No. You can back off and finish your damn point, execrable as it was, about deconstructionism.”

He settles back so he’s not looming quite so much, and starts up again. “The entire notion of deconstructionism has damaged Western ability to assimilate new concepts of story structure.”