Author Interview: Laura Bradford


I just finished an interview with Laura Bradford, author of the upcoming novel Flyday.

EY: What’s Flyday about?
LB: It’s set in the future, about a journalist who gets pulled into a murder investigation when his fiancee’s brother is the accused. The journalist finds himself visited by a time traveler who brings new insight into the case, and things just take off from there.
EY: What inspired you to write it?
LB: Well, I’ve been writing since I was very young, but I decided to write a novel a few years back and this was the idea that took off. It mixes a lot of my interests–science fiction, music journalism, adventure stories, etc. The characters sort of captivated me, and I wanted to see where their story went.
EY: Is Flyday going to have a sequel?
LB: Yes, I have a whole series planned out. I’m editing the second book now.
EY: That’s exciting! When do you think that will be coming out?
LB: Right now I’m not sure. It still has a long way to go, and I’m coming up on my last semester of school.
EY: Quite an accomplishment, to have managed to put Flyday out while going to school. What made you decide to self-publish?
LB: I sent queries to agents, and the answer was a unanimous “Interesting, but not for us.” But when I showed it to people, they seemed to love it, and I had a lot of requests for copies to pass around–more requests than I could fill. Eventually I saw that e-publishing was taking off, and I decided that putting it out there was much better than letting it sit on my hard drive, especially once I started working on the rest of the series.
EY: Will you be making it available in print as well as electronic versions?
LB: Eventually, yes.
EY: What channels are you using to sell it as an ebook?
LB: I put it on Smashwords, and right now I’m waiting for it to go up on Amazon and Barnes & Noble.
EY: Is there anything else you’d like to say?
LB: Mainly that I hope people enjoy the novel. E-publishing has been a really interesting experience for me, and I’m glad to finally be getting the book out there. My blog is also http://lauraebradford.blogspot.com if anyone wants updates about the project.
EY: Okay. Thank you for being my first interviewee for Authors’ Refuge, and I wish you luck with Flyday!

The making of a book

I just finished a meeting with Michale Cnudde, the gentleman whose novel I’ve been editing. I’m done editing! I’ve handed the all-important flash drive over to him to approve changes before we start formatting. Then I format it for epublishing while Tristan Tinder does the cover and formats it for print through Island Blue.

It’s fascinating and fun to be able to help put it together.

Writing in the new year

On December 4th, I published a collaborative novella that I’d done with my friend Mason on Feedbooks.com under a Creative Commons license. I had no expectations about readership: I thought it’d be really cool if we got a hundred downloads by the end of the year.

We got that in two days, and currently have 1392 downloads. It’s very neat, to have that many people have read my – well, our, but this blog is all about me, so the pronoun stands – writing, and it’s a fantastic impetus to write more.
Earlier this week, the Victoria Writers’ Society had its Annual General Meeting, and managed to elect most of a new executive: I’m still in charge of the website, our wonderful treasurer Laura is still in charge of all the money, and Edeana is still managing all of our critique groups and the summer writing contest. The presidency is sadly vacant, though, leading to lists of candidates for us to approach.
Our new executive is a different landscape and tone than the last one, and will prove interesting to work with. The writing community in Victoria is a huge part of how I approach writing, and takes up a large portion of the time I can allot to writing. It’s fun, and an adventure.

Happy New Year!

It’s a bright, shining new decade. In the past ten years we’ve had an economic collapse, Facebook, and the first lesbian kiss on TV. It’ll be interesting to see what the next ten bring forth.

I rang in the new year with what I’ve been told is a distinctly Victoria tradition: the levee at City Hall.. It was one of at least seven going on New Year’s Day, all of which were published in the paper several days ahead of time, some of which, like the one at Government House, are legendary. We got up what felt like ridiculously early after a night out before and wandered the two short blocks down to City Hall. Up the stairs in the Council Chambers, the city council was lined up in a reception line to shake everyone’s hand. As the hour wore on, it started looking more like they were awaiting firing squad than new arrivals, but none of them deserted their posts.
Upon arrival, there was a very proper, and long, queue for coffee looping around the majority of the room. As I was there for the food and didn’t want anything that would keep me awake once I got home and could nap, I got to sit and watch everyone else come in; the levee bus tour of city homeless that takes them around to each stop so they can stuff themselves (we were the first stop, which meant the arrival of food in addition to coffee lead to the immediate dissolution of any proper queue), the woman who lost the most recent City Council election, the Raging Grannies, each in their own eye-catching outfit (I spotted leather pants on one), but with the common thread of purple hats and signs pinned to their shirts demanding that the minimum wage be raised. One gentleman I think was unassociated with them came in and recruited them to sing a rousing rendition of “Hallelujah, I’m a Bum.” Also among the attendees were Victoria’s Poet Laureate, Linda Rogers, and her theremin-playing husband, and a young man in a leather jacket who sat in the middle of the floor and booted up his netbook to take advantage of City Hall’s free public wifi until the photographer for the paper apparently made him uncomfortable with dozens of shots.
A short hour and a shrimp-and-lettuce wrap later, and the first levee of the year was over.

Solstice

Today is the first time in 456 years that the Winter Solstice and a lunar eclipse fall on the same day. From about one to two in the morning, all across North America, we can watch the moon fully eclipse.

As my friend Mike Cnudde says, this probably means there is a shadowy cabal somewhere planning global domination now that the planets are aligned, only to be foiled by some guy, his girlfriend, and their plucky dog.
Happy holidays, and here’s hoping you get to foil some nefarious plots!

Theory Train Issue One

After adventures with formatting and finding artists and the interesting process of getting on Duotrope, we are live with the first issue of Theory Train! It’s exciting, because it’s the first for-profit venture I’ve helped launch. We started in September, putting the whole thing together. Adam put together our website, Michelle got us listed on Duotrope, and I handled submissions. Meetings by Skype were our primary mode of communication, and it made for very odd one-sided conversations for anyone who happened to be in the same room as us.

And now it exists!

Social Network

I just watched The Social Network, the movie about the founding of Facebook. It’s vaguely reminiscent of the dotcom boom, where the dream was becoming a billionaire overnight by coming up with some clever new idea.

Then it all collapsed.
In the ruins of startup companies and emerging bodies of law, there as formed a singularity, a point beyond which culture is unrecognizable. The singularity was driven foremost by Facebook and the accompanying phenomenon of social news.
We control who and what we see; online friends, whose status updates we see, feeds from news and comics and Twitter. Reddit and Digg and how many others let us decide what news is noteworthy.
It’s like small-town gossip on a world-wide, interest-based scale. There are drawbacks, of course, but those, too, you can talk about with your network; everything has a link to Digg or repost somewhere else.

And the heroes of the new millennium are drunken twenty-somethings really handy with code and ideas. I really like this idea, of the transmutation of heroes from the Justice League to their animators and the people who maintain their fansite. Inventing something technological is the easiest way to change the world these days, as evidenced by Gates as much as Zuckerberg.

Launches!

Wednesday was the launch of issue 8.2 of Island Writer, and it went wonderfully. All of the editorial staff were able to be there and we had a packed room with all the contributors and people there to hear the readings.

Chelsea Rushton, our Editor in Chief for this issue, did a great job of emceeing the night, and we got to hear from more than half of the contributors.
Excitingly for me, I will be the next Editor in Chief. I get to work with the same wonderful editorial team I worked with for this issue, and now that everyone has experience we should be able to smooth it out and make the production more seamless for everyone.
I’m starting to really enjoy the chaos and hubbub of setting up an event like this – the frantic arranging of tables and fretting over acoustics and food, the joy in getting rid of a whole box of the magazine not for the sake of sales but for the sake of fewer things to store in our wonderful treasurer Laura’s garage.
In other news, the science fiction collaboration I’ve been working on for the last several months with friend Mason Kochanski is now finished! And published. I suppose this is a sort of launch for Intervention, which is available for download under a Creative Commons license to your computer or phone as a PDF, Kindle file, or EPUB. We’re using Feedbooks as opposed to my usual site, Smashwords, because Feedbooks explicitly allows for Creative Commons licensing, which is important to both of us. The site is also accessible through the smartphone app Aldiko, which is cool. Click over to download it!

Russia’s Doomsday Device

As an excellent follow-up to writing about a science fiction future, I read an article today about Russia’s Doomsday device, Perimeter. I was first shocked that they had one – the most familiarity I have with one is watching Dr. Strangelove in high school. But it exists, and it’s active, and it continues to be upgraded to this day.

Perimeter’s very existence is surreal and far from comforting.
The very idea of such a relic of the Cold War mentality is alien to me; the Berlin Wall came down about the time I learned to talk, so it belongs very firmly in the realm of The Past, that mystical country of questionable relevance. Perimeter drives home in the most graphic way possible that nuclear war is something that was seriously considered for a long stretch of time.
I’m quite glad we never tipped over that brink.

Science Fiction Future

It probably says a lot about my social group that “how should we end the world?” is not a question that even makes me blink anymore.

I do a lot of collaborative writing; I currently have three on the go, though one I’ve taken over most of the writing portion while my collaborator gives me ideas. They all tend to be post-apocalyptic science fiction, as is a fair amount of what we read and pass around to each other. But the focus isn’t on the end of the world, it’s on what happens after, in the days-weeks-months after everything changes. The way it ends isn’t usually important, either; the most recent collaboration the end of the world was decided based on an article I’d read in the paper that morning, with no real emotional investment in it or plan to explore how we got to that point in the story.
A concept bandied about in science circles nearly as much as science fiction is that of a singularity, an idea or instant or tipping point beyond which the future is unrecognizable and can’t be accurately predicted. With the rapid rate of change in technology, my friends and I tend to take for granted that we’ll live through at least one more singularity.
But, given the very nature of a singularity, it’s difficult to write past one. So we write not singularities, but the kind of disaster that comes from attempts gone wrong; anarchy, oppressive regimes, and accidental genocides. It’s half adventure and half thought experiment as to how radical a shift we the writers could survive.
And it’s a lot of fun to write.
All of it, if we ever finish, will be available free online under Creative Commons, because a communist approach to intellectual property is something else we four share. As one succinctly put it, it’s better to have it out there for free and have people read it than to charge and sell one copy. In an ideal world, of course, we’d be able to exist on our writing and other people would be able to read it whenever they liked, but we don’t have one yet.